The Wife: Two’s a Party
Stored in a basement somewhere are my old high school notebooks — full of doodles, magazine cut-outs, and MASH results. One of those magazine images was a montage of famous couples. Not only did it cover a range of pop culture references — for example, comic strips (Blondie and Dagwood), cinema (Hepburn and Tracy), and literature (Romeo and Juliet) — but it also included pairings whose share of conflicts made them just as memorable as their ardor (Burton and Taylor). My favorites of these are the ones who work in the same industry; better yet, the ones who share projects. The potential for something productive, constructive, or destructive (usually all three) is great, exposing the complexity of human relationships.
In an attempt to recreate a page from my teenage-decorated notebooks, I offer a collection of photographs of some of my favorite collaborators: Burton & Taylor; Bergman & Rossellini; Fellini & Masina; De Beauvoir & Sartre; Lennon & Ono; Carter & Cash; Hepburn & Tracy. These pairs are far from perfect, but their energy and intensity make even their moments of scandal and dysfunction just as captivating as their displays of tenderness and devotion.
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