celebrity
Into the West: The Rat Pack
The Rat Pack was definitely a West Coast crew — from the Sands to the Hills. Their brand of style, glamour, and cool distinctly tilts left and is evident in photos of the men suited up for their late night romps and album covers that reflect their playful banter and laid back swing.
Into the Sunset: Spaghetti Westerns
Geographically, Spaghetti Westerns are filmed nowhere near the American West, but they’re obviously about/influenced by it. These low-budget films introduced an international audience to cinematic and musical talents and maintain a significant place in film culture and history.
They’ve also produced some badass film posters.
Kid: The Tramp (and The Kid)
The recreation of heartwarming scenes and the combination of varying colorful type make for some very sweet and touching film posters for the Tramp’s The Kid.
Tangent from: The Third Man
I’d forgotten all about the excellent opening credits to The Third Man until I borrowed the DVD from a friend and watched it again this week.
It’s the perfect introduction to the film. The zither score contributes so much to the tone of this movie and is far more versatile than I ever imagined. The Third Man is about an American writer who travels to Vienna to visit his old friend, but ends up investigating this friend’s death instead — all this to the sweet playfully melancholic sound of the zither. Like I said — versatile.
Other reasons why I enjoy this movie:
1) My infatuation with Joseph Cotten. We also share the same birthday, so I’m pretty sure that if fate did a better job of coordinating the year of our births we would have been an awesome match.
2) The sinister brilliance of Orson Welles.
3) The sharp and clever dialogue of Graham Greene.
4) The subtle and beautiful imagery of Carol Reed, reinforcing the emotion and mood at the core of the scene (a swinging door and a coat on the floor; fingers through a sewer grate; the twisted body of a teddy bear). I would frame the final scene if I could.
If you’ve seen this film, then you know that these are fairly obvious reasons and you understand why ‘The Third Man’ is now stuck in my one-track mind.
Third Man Theme by The Band
The Wife: To Walk A Mile In Your Heels
There’s nothing like cross-dressing to give you some perspective.
Anyway, that’s what I enjoy about movies that involve playing dress-up. The protagonist develops: an awareness of his/her surroundings; an appreciation for his/her colleagues, peers, and companions; and an understanding of the other gender, as well as his/her self. Plus, it makes for good comedy.
The Wife: Two’s a Party
Stored in a basement somewhere are my old high school notebooks — full of doodles, magazine cut-outs, and MASH results. One of those magazine images was a montage of famous couples. Not only did it cover a range of pop culture references — for example, comic strips (Blondie and Dagwood), cinema (Hepburn and Tracy), and literature (Romeo and Juliet) — but it also included pairings whose share of conflicts made them just as memorable as their ardor (Burton and Taylor). My favorites of these are the ones who work in the same industry; better yet, the ones who share projects. The potential for something productive, constructive, or destructive (usually all three) is great, exposing the complexity of human relationships.
In an attempt to recreate a page from my teenage-decorated notebooks, I offer a collection of photographs of some of my favorite collaborators: Burton & Taylor; Bergman & Rossellini; Fellini & Masina; De Beauvoir & Sartre; Lennon & Ono; Carter & Cash; Hepburn & Tracy. These pairs are far from perfect, but their energy and intensity make even their moments of scandal and dysfunction just as captivating as their displays of tenderness and devotion.